論桃園埤塘水圳地景於城市發展與地景藝術節中的弔詭定位以及介入中壢後寮地景的行動The Paradoxical Position of Taoyuan Pond-Canal Landscape in Context of Urban Development and Land Art Festival, Referring Interventional Action in Houliao, Zhongli
新媒體音像裝置中燈光與動力機械的造型表現探討─以克里斯托弗.飽德作品為例A Research on the Expression of Lighting and Kinetic Machinery in New Media Audio-Visual Installation: The Case Study of Christopher Bauder’s Artworks